‘A Motley to the View’: The Clothing of Court Fools in Tudor England Synonymous with garish parti-colours, the fool in popular imagination is an individual distinguished by their bold fashion choices. However, the prevalent image of the fool in red and yellow parti-colours does not hold true for the Tudor period. Whilst beginning the period […]
Humphrey Peake and Siege Warfare During the English Civil Wars of the 1640s and 1650s, siege warfare was a central aspect, which has nonetheless been overlooked by the historiography. Often the major focus of historians of the wars has been major battles such as Marston Moor and Naseby; important sieges such as Newark and Colchester […]
In this article Thomas Black explores the production of, and dispute over, images of kingship and authority during the reign of Charles I and the Interregnum. Thomas analyses some of the images of kings and kingship that were developed and challenged in the Caroline masques, as well as topographical and pastoral poetry composed during the turbulent decades of the 1630s and 1640s. The basis of the study is the works of royalist poets D’avenant, Cowley and Denham, as well as the allegiance-shifting Edmund Waller. By analysing examples of topographical poetry dating from the Restoration, as well as Dryden and Milton’s engagement with English pasts and prophecies, Thomas examines how images of kingship were both retained and refashioned in the context of the rupture of regicide and Interregnum.
Thomas Black is a second year English Literature PhD student at the University of Nottingham. Before his PhD Thomas completed a masters in English Literature at Nottingham and undergraduate studies at the University of Glasgow. Thomas’s research is funded by the Midlands 3 Cities doctoral training partnership and his thesis explores the changing experience of cultural identities in 17th and early 18th century Britain, focusing particularly on literature written in Scotland and Ireland. Thomas’s other research interests include republicanism and political theory in the War of Three Kingdoms, classical literature, postcolonial literature, and 20th century Irish literature.
In this article Tom Rose explores the dominant theme in cultural history: the concept of memory. Tom argues that the concept of memory should be a vital component of early-modern studies and evaluates the applicability of the theorist Pierre Nora to the mythology of Elizabeth I.
Tom Rose is a Midlands3Cities AHRC-funded PhD student based at the University of Nottingham. Tom’s current research explores the relationship between hunting, politics and culture in early Stuart England. This essay explores the role of memory in the production of history and was written for the University of Nottingham History Masters module ‘Research Methods in History’.
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