Capitol, Capital, and the Ancient City In his 1992 landmark text Architecture, Power, and National Identity Lawrence Vale demonstrated the extent to which government buildings ‘serve as symbols of the state’ and how one can ‘learn much about a political regime by observing closely what it builds’. The Residence Act of 1790 gave the American […]
Why were colonial powers interested in sexuality? In his 1847 account of the Aboriginal Australians, designed to familiarise new white settlers with the indigenous population, George Angus made sure to note why the settlement of aboriginal lands was entirely justified. ‘The population of the native tribes inhabiting South Australia is not considerable’ remarked Angus, because […]
In this article Phoebe Brown analyses media representations of the 1976-1978 Grunwick industrial dispute. Phoebe focuses on the role of the South Asian women involved, analysing a variety of media sources and highlighting how they emphasised particular aspects of the strikers’ identity to serve diverse political agendas: the right-wing press, for example, emphasised the women’s ethnicity and gender to undermine their position as workers and political activists so as to not disrupt their prevailing ethnocentric vision of the social order. The socialist media, on the other hand, emphasised the women’s position as workers and political activists, depicting the Union movement as inclusive of minorities. Overall, Phoebe highlights how and why the media representation of the strikers did not acknowledge the complexity of the South Asian women’s identities. The ‘othering’ of the South Asian women and the media’s reinforcement of various stereotypes demonstrates how difficult Britain found transitioning to an increasingly diverse, post-colonial society. Contemporary interpretations and commemorations of the Grunwick dispute provide further evidence of how this transition may, as yet, be far from complete.
Phoebe Brown graduated from the University of Nottingham in 2017. This article formed part of Phoebe’s undergraduate dissertation supervised within the Department of History.
In this article Oliver Dodd examines the processes of capitalist development to account for the underlying dynamics of the Colombian Civil War (1964-2002). Oliver argues that economic development did not take place in an orderly or steady manner, but rather involved conflict and antagonism between various social-class forces engaged in a ‘struggle for hegemony’. The article, therefore, concludes that it was capitalist development in Colombia which led directly to the political violence of the Civil War.
Oliver Dodd is starting a PhD in September 2018 examining Colombia’s 2016 peace agreement. He completed a masters in International Relations at the University of Nottingham and undergraduate studies at Aberystwyth University. His MA dissertation sought to explain the underlying dynamics of Colombia’s armed conflict. Oliver regularly conducts ethnographic research in Colombia, and as part of such field-work has spent five-months observing the National Liberation Army of Colombia (ELN).
In this article Darcie Mawby poses two important questions: firstly, to what extent did cultural exceptionalism exist among Russian noblewomen in the late imperial and revolutionary periods? Secondly, were Russian noblewomen part of a transnational European elite, or is national specificity integral to understanding their identity construction? In doing so Darcie provides important insights into the extent to which Russian noblewomen consciously engaged with national and international ideological developments related to marriage, education and adult vocations and the impact these interactions exerted on their sense of national identity. Through a comparison with the written work of English upper-class women, particularly travel accounts of Russia, Darcie identifies points of similarity and departure which highlight instances of transnational cultural crossover and national specificity. This article offers new interpretations of cultural exceptionalism and national identity in Europe during the increasingly global nineteenth- and early-twentieth centuries.
Darcie Mawby is a Masters student in the Department of History at the University of Nottingham. This article formed part of her Undergraduate dissertation which was completed in the summer of 2017.
In this article Tom Rose explores the dominant theme in cultural history: the concept of memory. Tom argues that the concept of memory should be a vital component of early-modern studies and evaluates the applicability of the theorist Pierre Nora to the mythology of Elizabeth I.
Tom Rose is a Midlands3Cities AHRC-funded PhD student based at the University of Nottingham. Tom’s current research explores the relationship between hunting, politics and culture in early Stuart England. This essay explores the role of memory in the production of history and was written for the University of Nottingham History Masters module ‘Research Methods in History’.
Ants and Cicadas Introduction Despite having spent centuries together as part of the Spanish colonial Viceroyalty of the Río de la Plata, the independence wars of the nineteenth century and their aftermath saw Argentina and Uruguay separate, with the creation of the latter as an independent buffer state guaranteed by the UK in 1827 to […]
In this article David Robinson explores how historians communicate, interpret and commentate on the work of Edward Said. As David acknowledges, most Arts and Humanities students will encounter Said’s canonical work, Orientalism, at some point during their degree. For those uninitiated or inexperienced in literary criticism, however, it can be a difficult, even opaque, text. Unsurprisingly, many turn to commentaries on Orientalism; to borrow a bad pun from the work under review here, to see what has been said about Said. David argues that while Daniel Martin Varisco’s Reading Orientalism: Said and the Unsaid, (Seattle, WA., 2007) is certainly a comprehensive study and is to be recommended to students as a reference work on Said, it fails in its primary aim of going ‘beyond the binary’ of East versus West.
David Robinson is a second-year, AHRC-M3C-funded PhD student supervised by the Department of History at the University of Nottingham. His thesis is entitled ‘Orientalism or Meridionism? Comparing Imperial and European Travel Writing in the Creation of British and European Identity’ and explores the British construction of Italy and India as cultural and geographical spaces contributing to British identity formation.
Edward Said’s Orientalism is the seminal work proposing a ubiquitous ‘othering’ of the Orient by Europe, evident in canonical European literature from Aeschylus onwards, a process Said called ‘orientalising’. Said claimed that the Orient was ‘almost invented’ by the West, as a feminised, exoticised, and eroticised space; an unchanging and unchangeable mirror-image of the rational, morally and culturally superior Occident. ‘Orientalising’, claimed Said, was largely responsible for two centuries of European imperialism. Attracting adoration and vitriol equally, Said was an American scholar with a Palestinian heritage, politically active in the cause of his cultural homeland. Orientalism has, consequently, a significant political edge, polarising opinion as either a brilliant expose of Western prejudice, or a polemical rant which ‘invents’ the West as equally as Said accuses the West of inventing the East. Regardless, Orientalism has remained in print since 1978 and ‘its influence can hardly be disputed.’ Credited by many as the founding text of post-colonialism, Orientalism remains one of the most cited academic works of modern times.
Guess Who’s Coming to Dinner Guess Who’s Coming to Dinner (1967) is a Hollywood film, starring Sidney Poitier as an African-American man who is engaged to Joanna Drayton, a white woman with liberal parents. The film, directed by Stanley Kramer, depicts the reactions of the couple’s parents to their prospective union, ultimately emphasising an acceptance […]
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